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Freya Von Doom Says a ‘No AI’ Contract Hid Likeness Rights in 19 Pages — So She Canceled the Shoot

Freya Von Doom Says a ‘No AI’ Contract Hid Likeness Rights in 19 Pages — So She Canceled the Shoot

In brief: Freya Von Doom Says a ‘No AI’ Contract Hid Likeness Rights in 19 Pages — So She Canceled the Shoot.

Freya Von Doom stands 4’8″, and on Oct. 7 she proved that’s plenty of height to stare down a 19-page contract. The AVN and XBIZ nominee, who also directs and writes screenplays, says she canceled a scene that day after her manager found AI-style rights tucked into the paperwork she had been promised had “no AI” in it.

In a long post on X, she laid out the timeline. When the company first reached out, she says she asked to opt out of AI, was told there was “no AI,” and asked to see the contract anyway. Her manager then found what she called five sections across the 19 pages covering things like “computer manipulation,” avatars, and digital sampling of her voice, likeness and other parts of her identity for future projects.

“Notice how the word AI never actually had to appear. That’s the fucking point.”

She says the company first pushed back on an opt-out addendum, then admitted it couldn’t change the contract. That left two options, and she picked one:

“Sign away rights to my likeness for future digital use, or don’t shoot. I chose DON’T SHOOT. ✌🏼”

She did not name the company, only calling it “such a VERY popular company.” The post drew more than 40,000 views and 120-plus reposts, and she added a follow-up: “And if a model wants to ‘Opt out of AI’ there shouldn’t ever be an issue providing opting out paperwork. Period.”

It has been an eventful few weeks. On Sept. 24 she posted that “Lightning literally struck my roof and set that bitch on fire,” asking what she did “to piss off Zeus.” She credited the fire department next door for showing up fast.

The walkout didn’t empty her calendar. On Oct. 9 she announced a new scene with Jason Luv, and that evening she promoted a new Girlsway release with three co-stars. Two releases, one walkout, one week.

Why it matters: our read is that this is the clearest example yet of a fight that has moved from Hollywood to adult sets. Digital-likeness rights are worth a lot exactly because they outlast the shoot. Her advice for other performers is practical and not glamorous: ask what rights a studio gets to your “likeness, image, voice, body, sounds, digital replicas, avatars,” get any opt-out in writing, and don’t sign just because the cameras are already set up. Her closing line works as a slogan too:

“Your likeness belongs to YOU. Protect it. 🖤”

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